Majel Connery


“Opera and Dance,” guest ed. with James Steichen, a special issue of The Opera Quarterly, featuring essays by Rebecca Schneider, Arman Schwarz, Christopher Morris, Joan Acocella, Tina Fehlandt, and Jeff Dolven, summer 2015, forthcoming

“The Tempest Ex Machina: A Review of the Opera on Stage,” a review in The Opera Quarterly (ed. Arman Schwartz), 29.2 (spring 2013), 2014, doi: 10.1093/oq/kbu005

“The Revelation of Sir Peter Maxwell Davies: Theology and Theatricality in the Mid-Century Stage Works,” Ph.D. diss, University of Chicago Department of Music, 2013,

“Meta-Theatrical Mozart at the 2006 Salzburg Festival,” a review in The Opera Quarterly 28.4 (autumn 2012), 2013, doi: 10.1093/oq/kbt009

“Peter Maxwell Davies’ Worst Nightmare: Staging the Unsacred in Taverner and Resurrection,” in The Opera Quarterly, 25.3-4 (summer/autumn 2009), 2010 doi: 10.1093/oq/kbp040